Concept Of Facilities Planning And Plant Layout Computer Science Essay

Concept Of Facilities Planning And Plant Layout Computer Science Essay Background of the problem Today s manufacturing industry is facing problems that have been growing in size and complexity over the last several years. As a result, there is an immediate need for procedures or techniques in solving various problems encountered in today s manufacturing arena without extended shutdown s or expensive modifications ( Clark ,1996). Materials handling equipment and the facilities it operates can contribute to as much as 70 percent of the total cost of the manufactured product (Tompkins et al, 1996). Facilities layout design is part of facilities planning (Tompkins et al, 1996). It is the arrangement of work space which, in general terms smoothes the way to access facilities that have strong interactions. The main concern with the plant facility layout planning is to reduce the cost of materials handling as poor materials handling can generate business problems. To stay competitive in todays market a company must reduce costs by planning for the future Material handling cost is a indirect costs and every company wants to reduce this indirect cost and it constitutes a major part of indirect costs in a facility Therefore even small improvements in material handling costs makes a large reduction in total indirect costs. The cost of material flow is a function of the distance the material is moved between divisions called departments in a manufacturing facility. To reduce material handling costs, it is essential to have an optimal arrangement of departments to minimize the total distance traveled Tompkins (1982) estimated that between 20% and 50% of operating expenses in manufacturing can be attributed to facility planning and material handling. Thus any cost saving in this area can contribute to the overall efficiency of the production system. Due to its wide range of applicability, the facility layout problem will continue to be the subject of research for many years to come. Graph theory and computerized software of facility layout is a powerful tool that allows experimentation with various manufacturing techniques and layout without actual implementation. Based on the above facts, it is obvious that layout optimization and improvement are two tasks that are crucial to any facility planning and layout study. 1.2 Statement of problem JPM Automobiles ltd is an automobile component manufacturing company located in Gurgaon Haryana. The problem area in that company is the departments are not located to according to manufacturing process; processes which have high interdependency are not located close to each other. This cause distance travelled by the material is high from one department to another department which result high material handling cost. Which affect the overall efficiency of the company. In response to the above problems, the need for facilities layout optimization is needed. This dissertation proposes to use Systematic Layout Planning (SLP) as to improve the facility layout of the company by graph theory and BLOCKPLAN software to improve the company performance. The company performance improvements are in terms of productivity increase, reduction in travelling cost and reduction in travelling distance. 1.3 Objectives The problem area in that company is of higher material handling, in-process inventory, poor interdependency of department and inflexibility etc. due to its improper layout. Based on the above fact the objectives of the study are: To conduct a detailed literature review of the facility layout problems. To analyze the existing layout of the company and conduct cost analysis of the existing layout. To propose improvements in the existing layout by graph theory and BLOCKPLAN software. To conduct cost analysis of the existing and proposed layouts. Compare cost analysis of the existing and proposed layout by graph theory and BLOCKPLAN software 1.3 Concept of Facilities Planning and Plant Layout A facility planning is a complex and broad subject that covers several disciplines. It involves civil, electrical, industrial and mechanical engineers, as well as architects, consultants, managers and urban planners. Facilities planning can be divided into two components: facilities location and facilities design. Facilities location is about placement of the facility on a specific plot of land with respect to customers, suppliers and other facilities. Facilities design consists of the facility systems design, the layout design and the handling systems design. The facility systems consist of the structural systems, the environmental systems, the lighting/electrical systems and safety systems. The layout consists of all equipment, machinery and furnishings within the building structure. The handling system consists of the mechanisms needed to satisfy the required facility interactions for a manufacturing plant, the facilities layout, also called plant layout, consists of the productio n areas, production related or support areas and personnel areas within the building. Facilitiesà ¢Ã¢â€š ¬Ã¢â€ž ¢ planning has become a critical component for companies to keep up with the current market trends in the last few years. In the past facilities planning was primarily considered to be a science. In todayà ¢Ã¢â€š ¬Ã¢â€ž ¢s competitive global marketplace, facilitiesà ¢Ã¢â€š ¬Ã¢â€ž ¢ planning has become a strategy, (Tompkins et al, 2003). 1.4 Facility Layout In any plant, there are large numbers of finite geometric areas i.e. production, machine foundation area, space for inventory, design, production control and supervision are arranged on the floor space of the building. The problem of arranging these areas in an effective manner is the facility layout problem Francis et al (2006) define, facility layout as a technique of locating machines, processes and plant services within the plant, so as to achieve the right quantity and quality of product at the lowest possible cost of manufacturing. The facility layout problem is concerned with an arrangement of physical facilities, such as departments or machines, in certain areas to reduce a companys indirect costs. It has been estimated (Savsar 1991) that between 20 and 50% of the total operating expenses within manufacturing are attributed to material handling, which is directly related to facility layout. A poorly conceived layout can result in congestion and prohibitive material handling costs; and, on the other hand, an effective layout can provide an environment for efficient production. Since indirect costs are the largest portion of a companys total operating cost, the objective of a facilities layout problem is to minimize both interdepartmental flows and the rearrangement costs of changing layouts between time periods. These costs are a function of the amount of material flow and the distance the material is to be moved. The main objective of the facility layout problem is to minimize overall cost, which is directly related to material flow between departments. Generally material flow is represented by the product of the amount of material and the distance the material is moved. The distance traveled is estimated using rectilinear distance between centroids of the departments .Constraints ensure departments do not overlap and departments are of proper size. Many computer algorithms have been developed for designing layouts, mainly for the layout of departments within factories. Types of facilities layout There are four types of plant layout from the point of view of manufacturing Product layout Product layout is based on the processing sequence of part being produced on the line. Parts follow a fixed path through the production resources. In product layout, materials flow from one workstation to next adjacent workstation directly. This type of plant layout is useful when the production process is organized in a continuous manner. Advantages of product layout Simple, smooth logical flow lines result due to fixes sequence of operation. Small work in process inventories due to work from one process is fed directly into the next. Low cost of material handling, due to straight and short route and absence of backtracking. Total production time per unit is short. Since the machines are located so as to minimize distances between consecutive operations, material handling is reduced. Little skill is usually required by operators at the production line; hence, training is simple, short, and inexpensive. Simple production planning control systems are possible. Less space is occupied by work in transit and for temporary storage Disadvantages of product layout Whenever breakdown of one machine stops the entire line in the presence of enough manpower. Lack of process flexibility, since the layout is determined by the product, a change in product design may require major alternations in the layout. Lack of flexibility in timing, as the product cannot flow through the line faster then the slowest task can be accomplished unless that task is performed at several stations. Supervision is general, rather than specialized. Comparatively high investment is required, as identical machines (a few not fully utilized) are sometimes distributed along the line. Worker fatigue as workers may become bored by the endless repetition of simple tasks. Process layout Process layout is also called job shop layout in which the layout for a process department is obtained by grouping of machines according to function of machine centers. Orders for individual products are routed through the various machine centers to obtain the required processing. This type of plant layout is useful when the production process is organized in batches. Machines are general purpose, within their general function area, so that a wide variety of products can be handled. Advantages of process layout A high degree of flexibility exists relative to equipment or manpower allocation for specific tasks. Smaller investment in equipment as duplication is not necessary unless volume is large. The diversity of tasks offers a more interesting and satisfying occupation for the operator. Supervisors for each department become highly, knowledgeable about their functions. Better utilization of machines can result in fewer machines used Disadvantages of process layout Lack of process efficiency as back tracking and long movements may occur in the handling of materials. Lack of efficiency in timing as workers must wait between tasks. Complications of production planning and control Workers must have broad skills and must be paid higher wages than assembly line workers. Comparatively large amounts of in process inventory as space and capital are tied up by work in process. Lowered productivity as each job requires different setups and operator training. Fixed position layout Fixed position layout is generally associated with large, bulky product such as assembly of ship building, aircraft etc. In Fixed position layout workstation are brought to the material. Fixed position layout is shown in fig.1.3 Advantages of fixed position layout Material movement is reduced, minimizes damage or cost of moving. Promotes job enlargement by allowing individuals or teams to perform the whole job. Continuity of operations and responsibility results from team. This reduces the problems of re-planning and instructing people each time a new type of activity is to begin. Highly flexible; can accommodate changes in product design, product mix, and product volume. Independence of production centers allowing scheduling to achieve minimum total production time. Disadvantages of fixed position layout Increased movement of personnel and equipment may be expensive. The necessary combination of skills may be difficult to find and high pay levels may be necessary. Equipment duplication may occur. Higher skill requirements for personnel as they are involved in more operations. General supervision required. Cumbersome and costly positioning of material and machinery. Low equipment utilization as equipment may be left at a location where it will be needed again in a few days rather than moved to another location where it would be productive. Product family layout / Cellular Layout The layout for a product family is based on the grouping of parts to form product family. Groupings are determined by the operations needed to perform work for a set of similar items or part families that require similar processing. A part family is a set of parts that require similar machinery, tooling, machine operations and jig or fixtures. The parts within the family normally go from raw material to finished parts within a single cell. Advantages of cellular Layout Reduced in process inventory Increase operator expertise Improved human relations, job enlargement tend to occur. Supports the use of general purpose equipment Increased machine utilization. Disadvantages of cellular layout General supervision required. Higher skills level required of employees than for product layout. Reduced shop flexibility Depends on balanced material flow between product layout and process layout, otherwise buffers and work in process storage are required. Lower machine utilization than for process layout 1.5 Layout Design Methods and Computer Packages It is highly desirable that the optimum plant layout be designed. Unfortunately, the magnitude of the problem is so great that true system optimization is beyond current capabilities. The approach normally taken in solving the plant layout problem is to try to find a satisfactory solution. Previously, facilities layout problems were solved primarily by using iconic models. Then analytical approaches were developed. In general, plant layout problems can be solved by any of the following approaches: Exact mathematical procedures. Heuristics. Optimal. Graph theory. A number of different procedures have been developed to aid the facilities planner in designing layouts. These procedures can be classified into two main categories: construction type and improvement type. Construction type layout methods basically involve developing a new layout from scratch. Improvement procedures generate layout alternatives based on an existing layout. Based on the above two procedures, many algorithmic approaches have been developed. Some of them are Systematic Layout Planning (SLP) procedure, graph-based construction method, programming, network, Tabu search, simulated annealing and genetic algorithm. Based on these approaches, many computer-aided layout routines have been developed. Some of them are CRAFT, COFAD, CORELAP, ALDEP, PLANET, MULTIPLE, BLOCPLAN . 1.6 Methodology of dissertation This dissertation is to be completed in 3rd and 4th semesters of my M.Tech duration of four semesters. The methodology for this dissertation is stated in Figure 1.1 Introduction Literature review Systematic layout planning Facility layout a case study Company Profile Analysis Conclusion The dissertation report is divided into seven chapters as shown in figure 1.3. The current chapter gives an introduction of Facilities Planning and Plant Layout, Layout Design Methods and Computer Packages. In this chapter is also introducing Background of the problem, Statement of problem, Objectives of the dissertation Chapter 2 provides detailed literature review which would be done throughout the 3rd semester. This chapter covers the different type of facility layout problems and layout design method and commercial software available for solution of facility layout problems. Chapter 3 introduces the details of Systematic Layout Planning (SLP) for generation of layout alternatives. Chapter 4 covers the company background. It covers the company profile, Organization structure of the company, products, esteemed customer and its manufacturing process and its policies. Chapter 5 presents the case study in which existing layout is analyzed and new layout is proposed by GRAPH theory and BLOCKPLAN software and also provides a detailed cost analysis of existing layout and proposed layout. Chapter 6 contains conclusion and future scope.

The Victorian Villain Goes A Governessing English Literature Essay

‘O scoundrel, scoundrel, smiling, damned scoundrel! ‘ I v 106 crossroads. Iago, Lovelace, Willoughby, Dracula, Lecter, Lestat, Voldemort, the intrigues of these and countless other literary scoundrels are frequently queerly absorbing and tempting. Indeed, throughout literature, the image of the scoundrel frequently proves to be the far more interesting character than the victim of their villainousness or the text ‘s hero. For many, the Victorian scoundrel is synonymous with the propertyless male as epitomised by Dickensian originals, for illustration the beastly Bill Sikes or the corruptor of artlessness, the predatory Fagin in Oliver Twist ( 1838 ) .[ 1 ]However, the coming of the esthesis novel during the 1860s heralded a new coevals of scoundrels, a coevals that sent both shockwaves and bangs through the literary universe and its readership. Initially, in what is considered the kick offing novel of the genre, The Woman in White ( 1860 ) ,[ 2 ]villainousness conti nues to be a masculine state as seen in the plants of Dickens, with the word picture of the puzzling Count Fosco, who with his ‘rod of Fe ‘ and chemical science set is arguably one of the most ill-famed scoundrels of the genre.[ 3 ]However, the esthesis novel apparently equates the scoundrel non with the propertyless male or the Gothic blue blood of old genres but with a new original of villainy – the villainess. This gendering of villainousness has led critics such as Hughes to observe that, ‘In the esthesis novel of the Lady Audley tradition, the heroine ‘s rightful topographic point is usurped wholly by the villainess, the golden-haired imposter who masquerades as a conventional married woman while plotting slaying on the side. ‘[ 4 ]Gone are the eighteenth-century portraitures of the innately virtuous heroine, such as Richardson ‘s Pamela and Clarissa, who emphasise the incorruptibility of the heroine as she battles to protect her repute and female pureness, or the early nineteenth-century ‘s word pictures of the reformed flirt who finally conforms as epitomised by Austen ‘s Emma Woodhouse.[ 5 ]In their topographic point stood the extramarital, bigamous, frequently homicidal, angel of the fireplace turned devil in the pretense of the respectable married woman, female parent or governess. This new strain of anti-heroines As Showalter argues, ‘ [ esthesis fiction ] conveys the menace of new phantasies, new outlooks, and even female rebellion ‘[ 6 ], This challenge to the conventional function of adult females ‘silly novels by lady novelists ‘ angel turned demon Mary Elizabeth Braddon ‘s Lady Audley ‘s Secret ( 1862 )[ 7 ] the incorruptibility of the heroine, the angel of the fireplace, is replaced The transmutation of the angel of the fireplace into the scheming devil The outgrowth of the esthesis novel in the 1860s marked the reaching of a new coevals of female supporters. The beatific married womans and girls of old genres were replaced by intriguing bigamists, manque murderesses and unreliable fornicatresss, who were prepared to utilize whatever agencies necessary, including their gender, to accomplish their intent. The transmutation of the scoundrel from the typical low-class male of old literary genres ( epitomised by Dickens ) to the apparently guiltless angel of the fireplace at the same time shocked and thrilled Victorian readers and critics likewise. The suggestion that a adult female would utilize her gender in order to perpetrate offenses such as bigamy and fraud, that she would get married strictly for her ain personal ( normally fiscal ) addition, and non out of love, outraged the moralists of the clip and captivated every category of reader. Numerous critics campaigned against the word picture of characters such as Braddon ‘s L ady Audley ( Lady Audley ‘s Secret ) and Collins ‘ Lydia Gwilt ( Armadale ) , protesting that esthesis novels were ‘debasing to everyone concerned ‘ ( Oliphant, 1867, in Pykett, 1992: 48 ) and a ‘morbid phenomenon of literature – indicants of a widespread corruptness, of which Married Woman ‘s Property Act divorce 1857 Victorian heroine conjures up images of Ambition, self-assertion and the desire for power and freedom of pick are character traits frequently used by novelists to heighten and progress the position of the male supporter. In a female supporter they are counter qualities which label her an aberrance to her sex. Ill-famed villainess by far the most interesting character – the villainess. The low-class male of old literary genres The esthesis novelists offered readers a new sort of scoundrel – the villainess. Aberrant muliebrity. the map of a heroine to function as an object of designation Adeline Sergeant suggests another ground for the popularity of such characters – a rebellion against the ‘inane and impossible goodness ‘ of old literary heroines ( Sergeant, in Mitchell, 1981: 74 ) . There can be no possible uncertainty that the evil of adult male is less catastrophic, less black to the universe in general, than the evil of adult female. That is the flood tide of all bad lucks of the race. Whughes 135 Margaret oliphant Outraged Victorian esthesias Mary Elizabeth Braddon synonymous with the creative activity of a new type of female supporter the angel turned devil. Patrilineal heritage offspring Gaskell Ruth Richardson ‘s Clarissa Wollstonecraft Maria The governess liminal figure equivocal place tabula rasa Ambition, self-assertion and the desire for power and freedom of pick are character traits frequently used by novelists to heighten and progress the position of the male supporter. In a female supporter they are counter qualities. Inversion of the melodramatic stereotype of heroine Showalter puerperal passion 71malady The outgrowth of the esthesis novel in the 1860s marked the reaching of a new coevals of female supporters. The beatific married womans and girls of old genres were replaced by intriguing bigamists, manque murderesses and unreliable fornicatresss, who were prepared to utilize whatever agencies necessary, including their gender, to accomplish their intent. The transmutation of the scoundrel from the typical low-class male of old literary genres ( epitomised by Dickens ) to the apparently guiltless angel of the fireplace at the same time shocked and thrilled Victorian readers and critics likewise. The suggestion that a adult female would utilize her gender in order to perpetrate offenses such as bigamy and fraud, that she would get married strictly for her ain personal ( normally fiscal ) addition, and non out of love, outraged the moralists of the clip and captivated every category of reader. Numerous critics campaigned against the word picture of characters such as Braddon ‘s L ady Audley ( Lady Audley ‘s Secret ) and Collins ‘ Lydia Gwilt ( Armadale ) , protesting that esthesis novels were ‘debasing to everyone concerned ‘ ( Oliphant, 1867, in Pykett, 1992: 48 ) and a ‘morbid phenomenon of literature – indicants of a widespread corruptness, of which they are in portion both the consequence and the cause ‘ ( Mansel, 1863, in Pykett, 1992: 51 ) . ‘the adventuress marries without love and hence submits to arouse without love. Even though the entry takes topographic point within matrimony, the adventuress is frequently shown to be evil because of her sexual willingness. ‘ ( Mitchell, 1981: 76 ) . Sabotaging traditional household values La extreme of female rebellion The villainess makes the out tangible Hughes remarks on the outgrowth of this new literary phenomenon by stating that, The supporter ‘no longer runs off from the manque bigamist ; she is more likely to dabble in a small bigamy of her ain. ‘ ( Hughes, 1980: 9 ) . The madwoman in the Attic had been transformed, from ‘a discolouredaˆÂ ¦ . barbarian face [ with ] aˆÂ ¦.red eyes and the fearful blackened rising prices of the qualities. ‘ ( Bronte, C. , 1847: 317 ) into a demure and attractive Siren, whose ‘fair face shone like a sunray. ‘ ( LAS, 7 ) and who was, by all outward visual aspects, the perfect married woman. Titillation of female villainousness Outside bounds of society villainess made by society In Shakespeare the hero was baronial and remote. Voice and ordain our deepest desires, feelings, ideas. Villain can resemble the hero Lady Audley reveals the paradox that it is the female ‘s aberrant behavior that renders her other, but one time she is ‘othered ‘ her behavior becomes more utmost. Use governess ambivalent place used to analyze adult female ‘s place Disreputable yesteryear Wealth position and repute of course follows barchester histories mr moffatt Encapsulates everything that work forces are most afraid of female gender Morality narrative Unacknowledged desires Lydia female volatility lady Audley female surveillance sensing Victorian readers least resemble scoundrels non like us but surprisingly they teach us about ourselves. As Pam Morris argues, ‘women map as the other which allows work forces to build a positive self-identity as masculine. ‘[ 8 ] Ultimate misdemeanor Schemer with ability to pull strings her victims Does n't repent actions but non crave for an unchecked immorality Lydia ‘s aspiration gathers momentum at that place becomes a unsighted urgency to accomplish her desire to go Mrs Allan Armadale Villain becomes an improbable figure one that ab initio looks and acts like the archetypical angel. This is non to state that esthesis novelists are undertaking evil forces on the page Witness the growing of immorality in one of patriarchate ‘s most powerful images of pureness womankind perverting influence on kids. Not descent into lawlessness or debasement Recognizable new degree of complexness Governess the Respectable face of villainy the governess Disturbing is the Ordinariness of these adult females ‘s state of affairss makes their actions flooring to Victorian reader. A recognizable individual one that they may use in their places. Relative employed as governess. She ‘s non different to us non recognizable as scoundrel. Close propinquity of villainousness. Disparity in their lucks ‘it ‘s a deal. '11 Abandoned kid but principled she works so marries to supply for him.see gilbertdiseasedesire104 Governess ‘s place site of struggle ‘It is non until her individuality hat she becomes a true scoundrel. ‘ Deseasedesire102 Miss Morley ‘pale governess ‘ features that are identifiable as those of 100s of governesses and females. Fifteen old ages of ‘a governess of five-and-thirty old ages of age traveling place to get married a adult male to whom she had been engaged 15 old ages ‘ p.13 ‘a monster nugget turned up under my spade, and I came upon a gilded sedimentation of some magnitude. A fortnight afterwards I was the richest adult male in all the small settlement about me. I travelled post-haste to Sydney, realised my gold findings which were deserving upwards of ?20,000'p.22 What turns Lucy from the ‘doll like ‘ married woman into the villainess is a turn of fate return of hubby Robert ‘s grim chase for George ‘s whereabouts quest to detect her true individuality. Latent lunacy inherited from female parent. Doubly abject female parent Lydia predatory looking for chances to progress her societal position. Power enviousness treachery fright choler desire Femme fatale Life has pushed Lydia Lucy to villainy Writers such as set their narrations in foreign climates or in a landscape of phantasy and fable the scoundrel ‘s actions can non impact civilized society no menace but the power of the esthesis set their narrations in recognizable topographic points and state of affairss. Reader recoils from Lydia but what ‘s she traveling to make next. Lydia ‘s self-destruction the dramatic release from her societal place she has craved. Detailed psychological make-up Fictional scoundrel normally gets his deserts or meets a bloody terminal Jean societal ‘misfit ‘ but we can understand her predicament. Isabel sympathise with her actions apprehensible. The power of Lydia ‘s character is to propose that adult females are ambidextrous, untrusty. Ill-famed villainess by far the most interesting character profligate Robert Lovelace CLarissa Samuel Richardson, Fagin non lovable knave corrupted the artlessness of kids condemnable marauder. Fosco cosmopolite appeal, unusual powers, out believing outsmart investigators, sophisticated, relishes his power, Marian worthy advisory, possibility he will be master, new sort scoundrel reflects scientific thought of clip, unbelieving godless creates his ain moral model, wiw twelvemonth after beginning species, tickle pinking yet terrorizing character. Trained chemist sinister sense events narcotics Imbues work forces with great passion Juggling No redeeming characteristics Without self-doubt, self-questioning, self-despair believes their societal place offers some signifier of exoneration for their actions. Catalyst to events ‘ I do non state that Robert Audley was a coward, but I will acknowledge that a tremble of horror, something kindred to fear, chilled him to the bosom, as he remembered the atrocious things that have been done by adult females, since that twenty-four hours upon which Eve was created to be Adam ‘s comrade and help-meet in the garden of Eden. What if this adult female ‘s beastly power of deception should be stronger than the truth, and oppress him? She had non spared George Talboys when he had stood in her manner, and menaced her with a certain hazard ; would she save him who threatened her with a far greater danger? Are adult females merciful, or loving, or sort in proportion to their beauty and their grace? 273-4 La ‘the female wrongdoer is the venue of horror, the site where the incomprehensible panics of domesticity can be explained and surmounted. '36 Hart Lady Audley putting to deaths premeditated in order to prolong her socially and financially unafraid function of married woman place she has attained via misrepresentation. Gilbert ‘Lady Audley ‘s narrative shows that adult females are most evil when they conform to societal outlooks. ‘ Disease desire 96 sarcasm society labels adult females as adventuress, vill adult females who attract the male regard ‘I did retrieve this ; and it was, possibly, this that made me selfish and heartless ; for I suppose I am heartless. As I grew older I was told that I was reasonably — beautiful — lovely-bewitching. I heard all these things at first indifferently ; but by-and-by I listened to them avariciously, and began to believe that in malice of the secret of my life I might be more successful in the universe ‘s great lottery than my comrades. I had learnt that which in some indefinite mode or other every schoolgirl learns sooner or subsequently — I learned that my ultimate destiny in life depended upon my matrimony, and I concluded that if I was so prettier than my schoolmates, I ought to get married better than any of them. ‘350 Braddon suggests that adult females ‘s future individuality founded on the necessity to procure a good matrimony. Marriage based on the demand for societal and economic security, adult females ‘s fright of poorness, non on love. Phoebe marries out of fright afraid Luke will be ‘violent and vindictive ‘ ( p.107 ) if she is non submissive and compliant to his demands. Female individuality fluid Robert self-fulfillment romantic hero sub-plot masculinastion Faulkes – Writer ‘s confederate thrusts narrative, readers see events unfold, gives us familiarity with scoundrel, sometimes hard non to take his side Dynamic qualities make them appealing. Suspicious of sudden displacement in category mobility. Free herself from societal limitation. Social order must stay stable. Love makes Lydia refocus her hatred and vindictive nature. Redemption by decease delegating. A character so flawed anti-heroine La wholly focused on her ain societal demands egoistic appears to hold no feelings whatsoever. Ideal heroine person like Florence dombey 1848 of this novel to bind in with 1860s lizzie Hexam our mutal friend 1864 possibly self-denying motherly caring epitome angel. Everything La is non. Abandons kid. Success means money and security no room for love. 298Fatal necessities of privacy†¦ how complete an actress my lady had been made by the atrocious necessity of life. Jean letters reveal her motive, pigment in her function of victim. Jean arising against function of victim, relics of one time honorable nature. Greatest humor aspiration. Divorcee far more insurgent than bigamist. Bad adult females but still fulfil function of hero admire her for her sense of intent victimised position. Austere ‘passionate, amply sexual femme fatale, who has a cryptic yesteryear, an electrifying nowadays, and a vindictive future'xv presentation. Lydia rational self-aware Robert Audley needs Gerald Coventry Allan Armadales need the figure of the governess in order to happen themselves. The governess didactic map does non halt at the direction cosmetic achievements, French. Their behavior is doubtless indocile but to ask rightful topographic point in the patriarchal order. Fetterley argues that Jean Muir ‘s narrative ‘articulates a extremist review of the cultural concepts of â€Å" muliebrity † and â€Å" small muliebrity, † exposing them as functions that adult females must play, masks they must set on in order to last. Therefore, Jean must play the function of the inactive and submissive beauty, but with the computation of a marauder, in order to achieve the wealth and position she urgently desires. ‘[ 9 ]This is undeniably accurate, and Jean ‘s letters to her co-conspirator, Hortense, reveal that she calculates her every move with the ‘cunning of a marauder. ‘ As Jean embarks on her new life as Lady Coventry the combustion of her letters is the symbolic rejection of her past life but the successful devastation of the ‘cunning marauder ‘s ‘ past life besides symbolises triumph and farther authorization of the indocile female. In decision, the villainess in esthesis fiction the heroine can be said is portrayed as more person than Godhead, a flesh and blood. The Victorian Villain Goes A-Governessing In Shakespeare the hero was baronial and remote. La victim merely every bit much as villainess abandoned. Few options workhouse the streets or governessing. Madness convenient fiction see Juliet toilet gumshoe vil googbk Appearance inversion of countenance. Suspicious of sudden displacement in category moility. Free herself from societal limitation. Social order must stay stable. Love makes Lydia refocus her hatred and vindictive nature. Redemption by decease delegating. A character so flawed anti-heroine La wholly focused on her ain societal demands egoistic appears to hold no feelings whatsoever. Ideal heroine person like Florence dombey 1848 of this novel to bind in with 1860s lizzie Hexam our mutal friend 1864 possibly self-denying motherly caring epitome angel. Everything La is non. Abandons kid. Success means money and security no room for love. 298Fatal necessities of privacy†¦ how complete an actress my lady had been made by the atrocious necessity of life. Jean letters reveal her motive, pigment in her function of victim. Jean arising against function of victim, relics of one time honorable nature. Greatest humor aspiration. Divorcee far more insurgent than bigamist. Heroines more mortal than Godhead. Bad adult females but still fulfil function of hero admire her for her sense of intent victimised position. Austere ‘passionate, amply sexual femme fatale, who has a cryptic yesteryear, an electrifying nowadays, and a vindictive future'xv presentation. Lydia ‘you know the evil I have committed ‘ Juliet toilet ‘Lydia Gwilt underestimates her ain capacity for humane and generous feeling, eventually doing the ultimate selflessness by puting down her ain life. Her self-destruction is non merely prompted by love, nevertheless, it is besides the consequence of intense wretchedness and self-loathing. ‘ 207. Lydia emotional has ever been control of her actions suicide ultimate signifier of control as she evades penalty for her disgraceful workss. In this analysis, the societal and political alterations that Kilroy identifies as a beginning of anxiousness and fear-married adult females ‘s belongings rights and civil divorce, for example-are liberating, although the Schroeders note Thursday female characters such as Clara Talboys Muse and inspiration interesting stance, the ‘pale governess ‘ 15 old ages pittance return to be married The Victorian Villain Goes A-Governessing In Shakespeare the hero was baronial and remote. La victim merely every bit much as villainess abandoned. Few options workhouse the streets or governessing. Madness convenient fiction see Juliet toilet gumshoe vil googbk Appearance inversion of countenance. Suspicious of sudden displacement in category moility. Free herself from societal limitation. Social order must stay stable. Love makes Lydia refocus her hatred and vindictive nature. Redemption by decease delegating. A character so flawed anti-heroine La wholly focused on her ain societal demands egoistic appears to hold no feelings whatsoever. Ideal heroine person like Florence dombey 1848 of this novel to bind in with 1860s lizzie Hexam our mutal friend 1864 possibly self-denying motherly caring epitome angel. Everything La is non. Abandons kid. Success means money and security no room for love. 298Fatal necessities of privacy†¦ how complete an actress my lady had been made by the atrocious necessity of life. Jean letters reveal her motive, pigment in her function of victim. Jean arising against function of victim, relics of one time honorable nature. Greatest humor aspiration. Divorcee far more insurgent than bigamist. Heroines more mortal than Godhead. Bad adult females but still fulfil function of hero admire her for her sense of intent victimised position. Austere ‘passionate, amply sexual femme fatale, who has a cryptic yesteryear, an electrifying nowadays, and a vindictive future'xv presentation. Lydia ‘you know the evil I have committed ‘ Juliet toilet ‘Lydia Gwilt underestimates her ain capacity for humane and generous feeling, eventually doing the ultimate selflessness by puting down her ain life. Her self-destruction is non merely prompted by love, nevertheless, it is besides the consequence of intense wretchedness and self-loathing. ‘ 207. Lydia emotional has ever been control of her actions suicide ultimate signifier of control as she evades penalty for her disgraceful workss.

Development Through the Lifespan Essay

In brief form explain why knowledge of human development over the lifespan is important for counsellors to be aware of. Learning about human growth and development signalled, to me, the importance of assessing and considering developmental goals when working with both children and adults. Life-span development theories provide a useful place to start when offering emotional support as a Counsellor. Understanding an individual’s previous stages of development and environment can give the Counselor and Client a common place from which to begin the counselling process. Essentially, the life-span development approach addresses the basic ‘nature vs nurture’ debate by allowing for both. Just as our physicals selves are determined by both genetics and lifestyle, so are our emotional selves. Considering cognitive, biological, and socio-emotional development throughout life will provide context, guideposts, and reasonable expectations for Counsellors. Knowledge of human development over a lifespan is important for counselors to be aware of because it allows them to identify natural stages and cycles that individuals will commonly go through in their lifetime. This can help counsellors to identify what is normal and what is abnormal. Being aware of these abnormalities/normalities could save the counsellor a great of time in the assessment and interview process, the formulation of treatment goals and could ultimately change the treatment plan. As a Professional Counsellor, I plan to consider life-span development to specialize in counselling a specific type of person with hopes of becoming well-versed, and therefore more helpful, in the types of experiences that group faces. Personality can be better understood if it is examined developmentally† (Santrock, 2006, p. 45). Give two short examples of how developmental knowledge would help a counsellor deal with two specific types of adult issues. A client comes to me for stress related symptoms and during the assessment I learn that he is 22, halfway through his first year of graduate school and the first time he’s away from his home town, 2,000 kilometers away. Since he falls within the norm, I may want to delve into some related issues to also be able to cross them off a list that I use to form my diagnosis and treatment plan. Had he not been in the 19-25 age range, my assessment goals would be different. If I were asked to counsel a group, I could employ a standard set of questionnaires for everyone to fill out. From there I could ascertain many important characteristics, feelings, longings which they all had in common. I could use the lifespan to formulate a generational perspective to better relate to where they are at in this part of their life cycle. Acquiring a rich amount information in a short period of time could be very valuable in guiding the group towards their goal with compassion and empathy. Development through the lifespan is a concept of how people develop throughout the lifetime. Typically, this involves a sequence of stages and describes important factors that are likely to influence development. BENEFITS: Criteria for mental health, with characteristics of unhealthy or disordered emotional functioning either explicitly or implicitly stated. This information is important in helping people set realistic treatment goals and in assessing progress. Information on how to promote healthy development and help people reduce symptoms and enhance their coping skills and satisfaction with their lives. A description of the role of the effective counselor and the desired relationship between client and counselor. Nearly all theories of counseling currently recognize the powerful impact of the therapeutic alliance and offer clinicians ways to collaborate effectively with their clients. A safe and healing environment and a caring, skilled, and trustworthy counselor are essential to successful treatment. Strategies and interventions that counselors can use to help people achieve their counseling goals. Examples include reflections of feeling, modification of cognitive distortions, and systematic desensitization. Information on treatment parameters such as duration and frequency of sessions; whether to use individual, group, or family treatment; and benefits of medication and other adjunct services. Delineation of those people who are most likely to benefit from this treatment approach. Adaptation throughout life depends on how each of us negotiates the internal and external factors that enhance or constrain our abilities to reach our full potentials. The essence of lifespan development is in how we build on our strengths to transcend these limitations over time. While a developmental perspective has been at the heart of psychotherapeutic practice since its early Freudian beginnings, the view of development as a process spanning from birth to death is relatively recent. According to Sugarman (2001), the emphasis on childhood during much of the 20th century reflected prevailing restrictive notions of what constituted â€Å"development†, as only changes that were â€Å"sequential, unidirectional, universal, irreversible, and end-state or goal-directed† were seen to count as development. Developmental theories have increasingly expanded beyond these confines, however, and since the 1980s it has been possible to talk of a whole life-span perspective (Baltes, Reese & Lipsitt, 1980) which shares certain underlying principles, formulated by Baltes (1987, cited in Sugarman, 2001) as the seven tenets of this orientation. These can be summarized as viewing development as a lifelong process which is multidimensional and multidirectional, shows plasticity, involves both gains and losses, is interactive, culturally and historically embedded, and the study of which is multidisciplinary. While such a view of development broadens the scope both for the researcher and the practitioner, it also entails that there is no one â€Å"correct† way of development, something that places particular demands on Counselling Psychologists. We need to be open-minded and able to embrace complex and contradictory notions of development on the one hand, and be improvement-orientated on the other, so changes are inevitably evaluated, i. e. measured against some ideal. While these challenges are met differently by different approaches to counselling and psychotherapy, Sugarman (2001, p. ) points out that there is overlap between different perspectives, as they describe â€Å"common themes if not of perfection, then at least of successful ageing†. Across different therapy models, the practitioner – like the life span researcher – is involved in â€Å"finding, co-constructing and interpreting the stories people create and use to describe and understand their lives† (Sugarman, 2003,p. 316). How the story is constructed is influenced by the practitioner’s orientation, but the goal is ultimately to help the client make their own choices. Evaluating some events as negative does not entail being concerned with eliminating negatives, as, for example in a â€Å"disease† model (Sugarman, 2001). In the life-span approach, negative events are rather viewed as necessary parts of life that provide the opportunity for growth (Sugarman, 2003). The move from development as something occurring only in childhood to a continuous process spanning from birth to death brings the subject of death itself to attention. If death is merely the endpoint of the life span and of development, it could easily be discarded as a subject of interest. However, even if we see death as nothing more than the end of life, as its destination, then it follows that the life course is a movement towards death and that death is in some sense present throughout life. One fundamental existential truth is that we must die. This certainty in life is also the most incomprehensible truth for us to come to terms with, as, in the philosopher Herbert Fingarette’s words (1996), â€Å"in our consciousness [we] will never know death firsthand† (p. ). Freud (1915, as cited in Fingarette, 1996, p. 150) wrote similarly: â€Å"At bottom, no one believes in his own death. Or, what comes to the same, in the Unconscious, each of us is convinced of his immortality. † This also suggests that we have a tendency to deny death, something that according to Yalom (1980, p. 59) occurs not only in the client but also in the therapist and, as he claims, â€Å"there is collective denial in the entire field of psychotherapy†. There may also be denial in the study of life-span development, as Sugarman (2001) makes scarce mention of death throughout her otherwise authoritative text on the subject. This seems odd considering that not only the structure of the life course is determined by our expectation of death but also the meanings we attach to life. In fact, as Fingarette explains, our conceptions of life and death can be seen as mutually influencing each other: â€Å"A mirror, too, is empty, without content, yet it reflects us back to ourselves in a reverse image. To try to contemplate the meaning of my death is in fact to reveal to myself the meaning of my life. † (p. 5) Death awareness thus sharpens our awareness of life, and making sense of death involves making sense of life, as, for example, through constructing our life story, an activity that requires a sense of authorship. For Yalom (1980, p. 31), who bases his thinking partly on Heidegger, â€Å"death is the condition that makes it possible for us to live life in an authentic fashion†. Death awareness is then worth facilitating in Counselling Psychology practice, as it helps clients re-evaluate life and make important changes towards a more fulfilled life. There is ample literature promoting a positive view of death, e. g. Kubler-Ross (1975) who describes death as â€Å"the final stage of growth† and â€Å"the key to the door of life† (p. 164). She believes that growth is the purpose of living and that we all have an inner source of love and strength which connects us with the eternal and that we live more fully when we are aware of this source. Stephen Levine (1986) takes this perspective further and encourages the reader to prepare to die by letting go of their sense of self, something that can be practised through meditation and through accepting and even welcoming pain. Both authors may be over-optimistic but they have something to teach all practitioners of psychotherapy and counselling about openness and compassion. Levine thinks that therapists can only give what they have got themselves and that how they deal with their own suffering determines the depth at which they are available to the client. A completely open relationship towards pain and death may only be possible for a fervent religious believer, but Yalom (1980) warns that faith may also act as a defence against death anxiety. According to Yalom, we cope with death anxiety by employing more or less healthy defences, and it is neither possible nor desirable for the therapist to completely eliminate death anxiety in the client, as some anxiety is necessary for life-enhancing death awareness. Instead it is the rapist’s task to facilitate a â€Å"sense of certainty and mastery† (p. 189) through enabling the client to create a coherent structure out of their life events. This would be in line with the above-mentioned goals formulated by Sugarman (2003) and indicates how death awareness can enhance life-span awareness and promote a more conscious narrative re-framing in Counselling Psychology practice. While death awareness and anxiety are relevant themes throughout life, they assume particular importance in mid-life. The term â€Å"mid-life crisis† was coined by Jaques (1965), who conducted a biographical study of over 300 major artists and found a marked increase in the death rate between the ages of 35 and 39 as well as a definite change in the quality and content of creative output. It has to be noted here that due to an increase in longevity, â€Å"mid-life† would now occur at a later stage, so a definition of this phase in terms of a specific age range must be viewed with caution on account of historical changes alone. Furthermore, rather than trying to determine an exact period at which mid-life occurs, researchers now tend to see it as an â€Å"ageless† phase, characterized more by themes and on texts (Biggs, 2003). However, Jaques† general observations regarding the differences between an artist’s early productions and those later in life may still be of interest today. Specifically, he notices a â€Å"hot-from-the-fire creativity† during the artist’s youth and more of a â€Å"sculpted creativity† as of the late thirties (Jaques, 1965, p. 503). To achieve the greater serenity of mature work, the artist is seen to undergo a â€Å"mid-life crisisâ€Å". Jaques regards this crisis as arising from depressive anxieties due to an awareness of one’s own inevitable death on entering the second half of life. Coming from a psychoanalytic perspective, he views youthful idealism as arising from the unconscious denial of human mortality and destructiveness (what Freud called the â€Å"death instinct†) and argues that â€Å"constructive resignation† (p. 505) to these inevitable truths at mid-life can lead to mature creativity. However, this requires the painful working-through of a depressive crisis. While Sugarman (2001) comments that only a minority of people actually experience a crisis of such proportions, Counselling Psychology clients are more likely to be among this minority. However, Kleinberg (1995, as cited in Biggs, 2003) has observed that many mid-life clients enter therapy to deal with â€Å"stagnation† rather than a crisis, although issues around ageing and finitude are also present. A more comprehensive approach to mid-life has been presented by Levinson et al. 1978), whose stage theory of the „seasons of a man’s life? has particularly illuminated the developmental tasks of the â€Å"mid-life transition† (p. 191), a term based on Jung’s description of the divide between the first and second halves of life, the â€Å"noon of life† (p. 33). According to Levinson – whose theory is restricted to men, although much could apply to women too – this is a time of disillusionment, as the current life structure and the self need to be modified and some fundamental polarities, i. . young/old, destruction/creation, masculine/feminine and attachment/separateness, need to be resolved in preparation for middle age. Similar to Jaques (1965), Le Vinson emphasises that the illusion of one’s immortality must be given up, a painful process that may, however, lead to greater maturity: â€Å"Slowly the omnipotent Young hero recedes, and in his place emerges a middle-aged man with more knowledge of his limitations as well as greater real power and authority† (p. 218).

Literary Masterpieces Matrix - 1186 Words

University of Phoenix Material Literary Masterpieces Matrix Complete the following matrix for each of the cultural periods that are shown. Provide examples from at least two (2) literary works to illustrate your entries in each category. If discussing contemporary literature, for example, a thematic focus might be relationship of mainstream with minority literatures and your examples incorporate Rushdie and Cronins works. Your entries in these columns must go beyond a few words or a simple bullet point. There is no required minimum word length, but you must go into sufficient detail to demonstrate your comprehension of these literary components. This assignment is designed to be completed throughout the course. It is easier†¦show more content†¦There’s| | | | | |love, action, life and | | | | | |death all eternal themes. | | | |Classical Literature |Plato’s apology |The apology is written in |Roman’s is also a defense|Plato is clearly influenced| | |thematically focuses on |plain words and presents a|of Paul’s credentials as |heavily by the life, times | | |the meaning of life and |courtroom/debate scenario |an apostle. Both men |and words of the subject of| | |death. As well as how a |where Socrates is |spell out a philosophical|his work Socrates. | | |man should live his life |defending himself against |and moral case for their | | | |honorably, it also deals |charges. |beliefs and they question|Romans is heavily | | |with the fear of death. | |and refute the opinions |influenced by Jewish | | | |Paul makes use of |of those who would oppose|traditions,Show MoreRelatedEssay about The Power of Horace McCoy’s They Shoot Horses, Don’t They?2674 Words   |  11 PagesThe Power of Horace McCoy’s They Shoot Horses, Don’t They? Professor’s Comment: The premise of this essay is to highlight the capacity of Noir literature to defy Modernist values and pioneer later avant-garde literary movements. This student produced a focused, organized, well supported essay. Nearly half a century has passed since most films and texts in the Noir tradition were created, yet one may wonder how much is really known about these popular American products. 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